Big changes are brewing at the Everson Museum of Art, and it’s not just about the exhibits. Six new board members have joined the team, bringing a wave of fresh perspectives and expertise to this historic institution. But here’s where it gets interesting: these aren’t just any board members—they’re a diverse group of leaders with backgrounds in technology, business, philanthropy, nonprofit management, and energy infrastructure. What does this mean for the museum’s future? Let’s dive in.
Published on February 9, 2026, at 12:05 p.m. by B. Duncan, this announcement highlights the museum’s strategic move to strengthen its leadership. The new trustees include Isaac Budmen of Budmen Industries, Louise Rosenfield, David J. Foor, Dirk Sonneborn, Gia Mahmoud, and Ed Cronk. Each brings a unique skill set to the table, promising to enrich the museum’s mission in exciting ways.
Isaac Budmen, for instance, is no stranger to innovation. His collaboration with the Everson on projects like the Touching History: Exploring the Scarab Vase exhibition—where he used 3D printing to recreate the historic Scarab Vase—showcases his ability to blend technology with art. And this is the part most people miss: his work not only preserves history but also makes it accessible in entirely new ways.
Louise Rosenfield, a Dallas-based ceramic artist and nationally respected collector, is another standout addition. As the namesake of Louise Café, she’s already left her mark on the museum, donating ceramic works that adorn the space and supporting student memberships. Her return to the board as a full member, after previously serving as an honorary one, underscores her deep commitment to the arts.
David J. Foor, president of Visual Technologies, brings over four decades of experience in the audio-visual industry. Since acquiring his company in 1981, he’s transformed it into a full-service firm serving diverse sectors across Central New York. Alongside Dirk Sonneborn, a former executive director of The Gifford Foundation, Foor has been a consistent supporter of the museum through exhibition and program-related giving. Sonneborn’s additional experience in senior leadership roles at CNY Community Foundation and as an adjunct professor of entrepreneurship at Syracuse University adds another layer of expertise to the board.
Gia Mahmoud, vice president of portfolio and project management at National Grid, contributes over 20 years of leadership in the energy sector. Her nonprofit board experience further enhances her ability to drive impactful initiatives. Meanwhile, Ed Cronk, a CPA with Bowers Advisors LLC, steps in as the board’s treasurer. His expertise in translating strategic vision into operational models—spanning marketing, finance, legal, IT, and HR—will be invaluable as the museum navigates its future.
Led by Ryan McDermott as chair, Daniela Molta as vice chair, and Maggie Goss as secretary, the board is poised to steer the Everson Museum of Art into a new era. Founded in 1897, the museum holds the distinction of being the first in the U.S. to focus on American art. Housed in a building designed by the legendary architect I. M. Pei, it’s a cultural cornerstone of downtown Syracuse, celebrated for its American ceramics and modern art collections.
But here’s the controversial question: With such diverse expertise now on the board, will the museum’s focus shift? Or will it strike a balance between preserving its historic mission and embracing innovation? Only time will tell. What do you think? Share your thoughts in the comments below.
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