Jessie Buckley is on fire, and not just because of her award-winning performances. With the Oscars just around the corner, her fashion game has reached new heights, proving she’s a force to be reckoned with both on and off the screen. From haute couture to runway-fresh looks, Buckley’s style streak is nothing short of mesmerizing—and it’s leaving everyone in awe.
But here’s where it gets even more fascinating: Buckley isn’t just wearing clothes; she’s telling stories. Take her appearance at The Bride! world premiere, for instance. Draped in a dark, romantic masterpiece from John Galliano’s 2024 Maison Margiela Artisanal collection, she channeled gothic elegance with vintage-inspired undergarments and a waist-trainer corset peeking through a sheer black gown. It was a look straight out of a horror film—but in the best way possible. And this is the part most people miss: Buckley’s style isn’t just about looking good; it’s about embodying the essence of each piece, almost like method acting for fashion.
The day before, she and stylist Danielle Goldberg took a completely different turn. They opted for a fresh-off-the-runway piece from Diotima’s Fall 2026 collection, inspired by the surrealist art of Wifredo Lam. The skirt, adorned with feather detailing and a modern silhouette, was a nod to Lam’s Cuban roots and Buckley’s willingness to experiment. Controversial opinion alert: Is Buckley’s ability to seamlessly transition between avant-garde and classic looks a sign of her versatility—or does it dilute her signature style? Let’s discuss in the comments!
Her fashion journey doesn’t stop there. For the Irish Film and Television Awards, she donned a gown from Fforme’s Fall 2026 collection, while also dipping into Prada’s archives for a 1999 mirror coat. And let’s not forget her red-carpet triumphs: a custom baby-blue Dior gown at the Golden Globes, crafted by Jonathan Anderson, and a sapphire-blue velvet Chanel Métiers D’art dress at the BAFTAs, reimagined by Matthieu Blazy. But here’s the real question: With such a diverse range of looks, is Buckley setting a new standard for red-carpet fashion, or is she simply playing it safe by covering all bases?
Whether it’s straight off the runway, plucked from fashion history, or custom-made, Buckley proves she can do it all. Her style isn’t just about the clothes—it’s about the narrative, the artistry, and the fearless exploration of self-expression. So, here’s the ultimate question for you: What’s your take on Buckley’s fashion evolution? Is she a trendsetter, a chameleon, or something entirely her own? Let’s debate!
